Vivid is great when you really want to put emphasis on your subject’s contrast and saturation.
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Portrait uses the same base as the Neutral profile but helps skin tones look more lifelike.Next is Neutral, which attempts to deliver images that are close to the original scene’s color and gradation.This is a popular profile for video shooters who later want to color grade their footage. Starting with Flat, notice there’s very little contrast, and the saturation is quite low as well.
You can change not only the Picture Control itself but you can also make adjustments within each Picture Control.ĭifferences between the different Picture Controls: Well you can also easily make adjustments to each of the profiles just by clicking right on the multi-selector when you have that Picture Control highlighted.Īdjustments can be made to Quick Adjust, Sharpening, Clarity, Contrast, Brightness, Saturation and Hue. Let’s say you really like how Standard renders your photos but you want them to have a little bit more sharpening applied to them. You get all of these on Nikon’s mirrorless Z system cameras and an additional batch of 20 Creative Picture Controls added. The built-in preset Picture Controls in current Nikon DSLRs are: Standard, Neutral, Vivid, Monochrome, Portrait, Landscape and Flat. For JPEG or video shooters in particular, picking the right Picture Control can be critical, as these options will be “baked” into the file once you take the shot.
Picture Controls can benefit even RAW shooters.įirst off, Picture Controls are preset profiles that are designed to optimize things like contrast, clarity, brightness and saturation for different scenes. Even if you shoot RAW and plan on processing your image afterwards, don’t think that there aren’t benefits to using Picture Controls directly in-camera. For these types of shooters, the Picture Control that’s selected can have a major impact on the final image. If you’re shooting RAW (Nikon NEF) then you plan on editing the file afterwards on the computer, but videographers and still photographers who shoot in JPEG often expect the file coming out of the camera to be pretty much finished. But getting a properly exposed photo is just part of the equation, there’s a whole other aspect that needs to be addressed as well how the photo will be edited.
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Many people pick up their camera and only worry about the shutter speed, aperture and ISO when it comes to creating a photo.
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